I love perfume. And cologne and eau de parfum and any and all manner of smelly stuff. I love it for the history, I love it for the chemistry, I love it for the sheer sensual enjoyment, and I'm learning to love it for the wit, smarts, and creativity of its makers. Perfumes: The Guide, by Luca Turin and Tania Sanchez is permanently installed in the bathroom library, and is a simply phenomenal book that critiques, in depth and with great precision and strong opinions, almost every perfume or scent available on the market.
This bottle came into my possession when it was deaccessioned by a friend who knew I like different shaped bottles to paint, as well. I used Dorland's Wax Medium to paint it with, as an experiment. Dorland's is a great, fun medium: a proprietary mix of beeswax and damar resin among other things, it's very smooth under the brush, translucent, and dries to a dead-matte finish that can be buffed to a semi-gloss if the wax is thick enough. I love painting matte, which is unusual for an oil painter, simply because I find it forces me to push contrasts and chroma more than when I can rely on a glossy surface to pump them. If ypu can make a painting look like it's been varnished before it's been varnished, you've got a decent effect there, and one that can actually be looked at in more lights without glare. I didn't quite succeed with this, hence the gauzy look, but it was really fun to try.
Unfortunately, Dorland's takes a bit of getting used to and dries very slowly, so I think I'm going to delay getting into it too deeply until I'm back to feeling more confident in my speed and skillz.
This bottle came into my possession when it was deaccessioned by a friend who knew I like different shaped bottles to paint, as well. I used Dorland's Wax Medium to paint it with, as an experiment. Dorland's is a great, fun medium: a proprietary mix of beeswax and damar resin among other things, it's very smooth under the brush, translucent, and dries to a dead-matte finish that can be buffed to a semi-gloss if the wax is thick enough. I love painting matte, which is unusual for an oil painter, simply because I find it forces me to push contrasts and chroma more than when I can rely on a glossy surface to pump them. If ypu can make a painting look like it's been varnished before it's been varnished, you've got a decent effect there, and one that can actually be looked at in more lights without glare. I didn't quite succeed with this, hence the gauzy look, but it was really fun to try.
Unfortunately, Dorland's takes a bit of getting used to and dries very slowly, so I think I'm going to delay getting into it too deeply until I'm back to feeling more confident in my speed and skillz.
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